BRUCE EDELSTEIN Untitled 2007

BRUCE EDELSTEIN
Untitled 2007
Watercolor and charcoal
30” x 22”

BRUCE EDELSTEIN Cuando las paredes habian 2007

BRUCE EDELSTEIN
Cuando las paredes habian 2007
Wool
83” x 25”

BRUCE EDELSTEIN Islands 2018, installation view

BRUCE EDELSTEIN
Islands 2018, installation view
Ceramic with pigment and encaustic

BRUCE EDELSTEIN Untitled Study 2007

BRUCE EDELSTEIN
Untitled Study 2007
Watercolor and charcoal
30” x 22”

BRUCE EDELSTEIN Untitled 2007

BRUCE EDELSTEIN
Untitled 2007
Watercolor and charcoal
30” x 22”

BRUCE EDELSTEIN Untitled 2007

BRUCE EDELSTEIN
Untitled 2007
Watercolor and charcoal
30” x 22”

BRUCE EDELSTEIN Milk and Honey 2018

BRUCE EDELSTEIN
Milk and Honey 2018
Ceramic with underglaze
19” x 26” x 17”

BRUCE EDELSTEIN Untitled 2017-2018

BRUCE EDELSTEIN
Untitled 2017-2018
Ceramic with pigment and encaustic
18” x 12” x 22”

BRUCE EDELSTEIN Study for Babel 2 2018

BRUCE EDELSTEIN
Study for Babel 2 2018
Watercolor and pencil
30” x 22”

BRUCE EDELSTEIN Untitled 2007

BRUCE EDELSTEIN
Untitled 2007
Watercolor and charcoal
30” x 22”

BRUCE EDELSTEIN Untitled 2011

BRUCE EDELSTEIN
Untitled 2011
Ceramic with underglaze and encaustic
32” x 20” x 17”

BRUCE EDELSTEIN Untitled

BRUCE EDELSTEIN
Untitled 2018
Ceramic with underglaze
25” x 20” x 18”

BRUCE EDELSTEIN Study for Babel 2018

BRUCE EDELSTEIN
Study for Babel 2018
Watercolor and pencil
30” x 22”

BRUCE EDELSTEIN Behemoth 2016

BRUCE EDELSTEIN
Behemoth 2016
Ceramic with underglaze
36” x 27” x 18”

OAXACA

Bruce Edelstein / sculpture & watercolor

MAIN GALLERY

August 29 – October 13, 2018

OPENING RECEPTION: Saturday, September 22, 5 - 7pm

ARTIST STATEMENT

"This show presents recent sculpture and watercolors with work completed in Oaxaca, Mexico in 2007.

Several trips to Oaxaca from 2005-2007, influenced the course of my work including the materials I am presently using. I was moved by the strong integration and vitality between the arts and society and the resilient cultural traditions within a contemporary context. The political atmosphere in Oaxaca through those years was torrid and vital, with teachers occupying the city center - the response to this climate by artists was evocative and bold. I was moved by the art, the passion, and the candid messages incorporated in the iconic images painted on the walls of the city. I felt compelled to quote the fugitive images to create a permanent document which could be shared with people from Oaxaca and the world beyond. I wanted to capture the unique dimension of an historical moment using traditional techniques from the region. For this reason, I chose to use weaving to produce some of the work.

In Oaxaca, I observed how the ubiquitous use of clay, from simple practical forms to traditional and contemporary artworks, resonates with the memory of its place of origin. My direction however, has been to use ceramics as a material for building open structures, rather than as the traditional vessel. With recent work, I conceive of my sculpture as islands, with articulated spaces enmeshed and folded through the body. This represents the boundaries we engineer for our comfort and survival. As in Oaxaca we are experiencing an assault on our own social values in the US. Perhaps these artworks will help to provide a space to imagine and reaffirm what truly matters." - Bruce Edelstein, 2018