RICK SKOGSBERG The Liquification of the Ball-Turret Gunner (After Randall Jarrell), 2017 (Assembled)

RICK SKOGSBERG
The Liquification of the Ball-Turret Gunner (After Randall Jarrell), 2018
Painted metal trays
16.5" x 16.25" x 1.5" (Assembled)

RICK SKOGSBERG The Horns of the Goat (a) & Silver City Radio (b), 2018

RICK SKOGSBERG
The Horns of the Goat (a) & Silver City Radio (b), 2018
Painted metal platter
12.25" diameter

RICK SKOGSBERG Chelsea (a) & A Visit to the Boneyard (b), 2018

RICK SKOGSBERG
Chelsea (a) & A Visit to the Boneyard (b), 2018
Painted metal platter
12.5" diameter

RICK SKOGSBERG Bunny Makes the Big Time (a) & Grandma Bunny (b), 2018

RICK SKOGSBERG
Bunny Makes the Big Time (a) & Grandma Bunny (b), 2018
Painted metal platter
12.5" diameter

RICK SKOGSBERG Pinball River (a) & Not A Whole Lot More (b), 2018

RICK SKOGSBERG
Pinball River (a) & Not A Whole Lot More (b), 2018
Painted ceramic plate
11.25" diameter

RICK SKOGSBERG Not An Awful Lot (b) & In My Dreams (a), 2018

RICK SKOGSBERG
Not An Awful Lot (b) & In My Dreams (a), 2018
Painted ceramic plate
12.25" diameter

RICK SKOGSBERG The Morning After (b) & The Battle of Petersburg (a), 2018

RICK SKOGSBERG
The Morning After (b) & The Battle of Petersburg (a), 2018
Painted ceramic plate
11.5" x 14.5"

RICK SKOGSBERG Pig by the Pound (a) & Murdertown (b), 2018

RICK SKOGSBERG
Pig by the Pound (a) & Murdertown (b), 2018
Painted metal tray
11" x 15.25"

RICK SKOGSBERG Downtown (a) & Meet Maxx Carbon (b), 2018

RICK SKOGSBERG
Downtown (a) & Meet Maxx Carbon (b), 2018
Painted metal platter
11.5" x 14.5"

RICK SKOGSBERG Dance with the Guilty (a) & The Punishing (b), 2018

RICK SKOGSBERG
Dance with the Guilty (a) & The Punishing (b), 2018
Painted metal tray
13" x 24"

RICK SKOGSBERG Mr. Fox (a) & A Team Wet Dream (b), 2018

RICK SKOGSBERG
Mr. Fox (a) & A Team Wet Dream (b), 2018
Painted metal tray
13" x 13"

RICK SKOGSBERG The Formulation for Transubstantiation (a) & The Movie (b), 2018

RICK SKOGSBERG
The Formulation for Transubstantiation (a) & The Movie (b), 2018
Painted metal tray
12.25" x 17"

RICK SKOGSBERG The Flight of the Dominoes (b) & John, Poor John (a), 2018

RICK SKOGSBERG
The Flight of the Dominoes (b) & John, Poor John (a), 2018
Painted ceramic plate
10.5" diameter

RICK SKOGSBERG Nothing Else Matters (b) & The Man in the Yellow Hat (a), 2018

RICK SKOGSBERG
Nothing Else Matters (b) & The Man in the Yellow Hat (a), 2018
Painted ceramic plate
12" x 14.75"

RICK SKOGSBERG Road Trip (a) & Yo-Yo Nation (b), 2018

RICK SKOGSBERG
Road Trip (a) & Yo-Yo Nation (b), 2018
Painted ceramic plate
11.25" diameter

RICK SKOGSBERG Flush & Borders, 2018

RICK SKOGSBERG
Flush & Borders, 2018
Painted ceramic plate
12" diameter

RICK SKOGSBERG Poetry Public (a) & Port Hole in a Mary Poppins' Style (b), 2018

RICK SKOGSBERG
Poetry Public (a) & Port Hole in a Mary Poppins' Style (b), 2018
Painted plastic platter
21.5" x 9.75"

RICK SKOGSBERG Let Jimi Takeover (a) & Brownsville Station (b), 2019

RICK SKOGSBERG
Let Jimi Takeover (a) & Brownsville Station (b), 2019
Oil painted ceramic plate
10.5" x 13"

RICK SKOGSBERG The Appetizer Series, 2019

RICK SKOGSBERG
The Appetizer Series, 2019
Painted plate 
6.375" x 6.375"

RICK SKOGSBERG The Appetizer Series, 2019

RICK SKOGSBERG
The Appetizer Series, 2019
Painted plate
5.25" diameter

RICK SKOGSBERG The Appetizer Series, 2019

RICK SKOGSBERG
The Appetizer Series, 2019
Painted plate 
6.375" x 6.375"

RICK SKOGSBERG The Appetizer Series, 2019

RICK SKOGSBERG
The Appetizer Series, 2019
Painted plate
5.25" diameter

RICK SKOGSBERG The Appetizer Series, 2019

RICK SKOGSBERG
The Appetizer Series, 2019
Painted plate 
6.375" x 6.375"

RICK SKOGSBERG The Appetizer Series, 2019

RICK SKOGSBERG
The Appetizer Series, 2019
Painted plate
5.25" diameter

RICK SKOGSBERG IKEA Madness (a) & No Bonus (b), 2018

RICK SKOGSBERG
IKEA Madness (a) & No Bonus (b), 2018
Painted metal platter
12.5" diameter

RICK SKOGSBERG Gunsmoke (a) & A Horse Named Silver (b), 2017

RICK SKOGSBERG
Gunsmoke (a) & A Horse Named Silver (b), 2017
Painted metal platter
14.5" diameter

RICK SKOGSBERG The Mind of a Mediterranean & The Heart of Darkness, 2018

RICK SKOGSBERG
The Mind of a Mediterranean & The Heart of Darkness, 2018
Painted plastic plate
13" diameter

RICK SKOGSBERG Bono (b) & We are the World (a), 2018

RICK SKOGSBERG
Bono (b) & We are the World (a), 2018
Painted plastic plate
13" diameter

RICK SKOGSBERG Atomic Terms (a) & The Truth Is Out There (b), 2018

RICK SKOGSBERG
Atomic Terms (a) & The Truth Is Out There (b), 2018
Painted metal tray
13.25" x 20.5"

RICK SKOGSBERG War of the Worlds (a) & Cheers (b), 2018

RICK SKOGSBERG
War of the Worlds (a) & Cheers (b), 2018
Painted ceramic plate
12.5" diameter

RICK SKOGSBERG The Wreck of the Hesperous (b) & American Graffiti 1 (a), 2018

RICK SKOGSBERG
The Wreck of the Hesperous (b) & American Graffiti 1 (a), 2018
Painted plastic plate
15.5" x 19.75"

RICK SKOGSBERG Keeps On Ticking (a) & Making Superman (b), 2018

RICK SKOGSBERG
Keeps On Ticking (a) & Making Superman (b), 2018
Painted Ceramic Plate
11.5" x 15.25"

RICK SKOGSBERG Made in Japan, 1958 (a) & Coliope (b), 2018

RICK SKOGSBERG
Made in Japan, 1958 (a) & Coliope (b), 2018
Painted ceramic plate
11.5" x 15.25"
 

RICK SKOGSBERG Evidence of a Linkage in Bones (a) & The Armory Show (b), 2018

RICK SKOGSBERG
Evidence of a Linkage in Bones (a) & The Armory Show (b), 2018
Painted metal platter
11.75" x 16"

RICK SKOGSBERG A Foundation Construction (a) & An Exercise in Pointillism (b), 2018

RICK SKOGSBERG
A Foundation Construction (a) & An Exercise in Pointillism (b), 2018
Painted metal tray
11.75" x 16"

RICK SKOGSBERG Breakfast With Baudelaire (a) & Breakfast with Bob Dobbs (b), 2018

RICK SKOGSBERG
Breakfast With Baudelaire (a) & Breakfast with Bob Dobbs (b), 2018
Painted ceramic plate
10.5" diameter

RICK SKOGSBERG Jiggling the Boneyard (a) & My Face Before I was Born (b), 2018

RICK SKOGSBERG
Jiggling the Boneyard (a) & My Face Before I was Born (b), 2018
Painted metal tray
14.5" x 22.75"

RICK SKOGSBERG Granger (a) & Little Anne (b), 2018

RICK SKOGSBERG
Granger (a) & Little Anne (b), 2018
Painted ceramic plate
10.25" x 14.25"

RICK SKOGSBERG Sweet Blarney, 2018

RICK SKOGSBERG
Sweet Blarney, 2018
Painted ceramic plate
10.75" x 13.5"

RICK SKOGSBERG Macy's (a) & The Kitchen of Our Discontent (b), 2018

RICK SKOGSBERG
Macy's (a) & The Kitchen of Our Discontent (b), 2018
Painted ceramic plate
9.25" x 12.5"

RICK SKOGSBERG Communal Fusion (a) & Ed Sullivan (b), 2018

RICK SKOGSBERG
Communal Fusion (a) & Ed Sullivan (b), 2018
Painted ceramic plate
12.5" diameter
 

OUTSIDER ART FAIR

Rick Skogsberg / Vermont Visionary Psychedelic Artist

METROPOLITAN PLAZA

January 17 – 20, 2019

BIOGRAPHY
I was born in a time (after WW II, the year between 6/47 and 6/48) that still holds the record for most births ever, in a given year’s span. It was the second Great Generation come to America, right in succession. Others would follow, each with increasingly elaborated and complex through-lines. But in the fifties and sixties, at first, shit was pretty simple.

I grew up, the eldest of three brothers, in a military family, albeit one less regimented than loving and fun. Both my parents had been in combat through four years of the War: Mom as an Army Nurse in a mobile evacuation (tent) hospital, Dad, second command of the 1st Recon Troop, attached to the 1st Infantry Division (Patton’s). They met early, in North Africa, as that campaign was winding down, and after corresponding vigorously (mail took six weeks) the next four years--having one weekend leave together in Paris (after Anzio (Mom) and D-Day (Dad), just before the final hard push across Germany--and at the end, near Berlin, they found their units once more conveniently juxtaposed.

After returning to the States, they were married eighteen months later, in Jan. ‘47, the same week my Dad’s divorce from a pre-war hometown arranged marriage became final. Dad managed to stay with the Army (doing another year in combat, in Korea, in ‘51) until I was a senior in high school. By then, we had already moved twelve times, twice after only a year,  usually it was three. This was the literal bane of my existence. First, Going (which followed a prior Leaving), then, Leaving again, this over and over. Both were agonizing. I started smoking at 12, as one does, to cure the ache. AM radio was ruling America with its pop rock and roll, every teenager in town in every big-finned car, leaping to life as one to the opening sounds of their favorite songs. Football was king. Things were about to change forever.

I was one month shy of my 16th birthday when the Beatles landed in America. What timing. You had to be there. Suffice it to say, King Football’s crown was lost overnight to the new king, Guitar, still reigning, to this day. I was a mediocre football player, but simultaneously, a mediocre guitar player. So I was ready. But not for being torn from the pinnacle of my high school career, to spend a dull senior year in Florida. I drew solace from the fact that a racy trio of senior girls had determined from heated after school research sessions, conducted all year, that it didn’t seem likely they’d ever again be kissed the way, they all agreed, it was with me. They were expecting life-long disappointment consequently, in that regard, and I expect they found it. I banked that distinction for the long haul. Nothing could take that away.

Halfway through college, I still lacked the faintest shred of ambition towards anything I could imagine, so I was pointed in the direction of Navy Flight School, the military’s elite. They take the selection process so enormously seriously, understandably, that they spend a year checking you out. By the time they called me, the Navy had receded so far into the recesses of my former self, I can barely remember a single thing that was said. One thing I remember is: I had just turned on the black light over the Hendrix poster and lit a joint when the phone rang. The caller sounded exuberant. I remember that. So, they did think I was a worthy candidate; had been, actually, would say it better. In any case, I explained that I’d been busted for selling two ounces of pot to a peripheral friend, who’d been flipped and set us up. Now, I was awaiting trial, facing fifteen to life. Click.

But, happily, I beat that bad rap; the dirty coppers had barged in, guns waving, failing to show us the search warrant first.

I dropped out of FSU, starting my last semester, due to the bust before finals prior. I never did get a Bachelor’s degree, although I have a Master’s now (an MFA in Poetry) for which I’d turned myself in to the IRS (as a contract worker non-filer, for ten years, I owed them a bunch) in order to get the tax return I needed apply for another school loan. I finally knew what I wanted to be now, when I grew up (I was almost 50). I had set out after college to fill the potential of my striking aptitude for psychedelics (LSD, etc.) There was going to be a real need for people like me. I moved to southern California near the end of ‘68. Laguna and great LSD (Orange Sunshine, 250 mics, take two, so fresh it steamed up the baggies it sold from, a dollar a hit), were but 12 miles south down the coast highway at the Taco Bell, just across Hwy 101 from the Mystic Arts Bookstore.

I came back to Florida with updated plans of moving to this wildass commune in the woods of Vermont that had a Forest Wizard, who claimed to be a yogi from a hundred years ago. He’d show you the photograph, and there was a some resemblance. I spent the summer there, cycling between losing my girlfriend and regaining her again, etc. I went to Woodstock from VT, and that winter, I was more surprised than I should have been, when I got drafted, ordered to report for a physical, which if passed would lead to immediate induction into the US Army. I returned to Florida and buckled down to somehow beating the draft. I had returned their original form filled in in orange crayon, claiming to be a subversive anarchist, which, though I was strictly an amateur, was totally true. I was by now far from Army material (this a year after getting picked for Navy Flight). The draft board came back with a vengeful and emphatic 1A, which stood for cannon fodder, as in, induct ASAP.

But I wasn’t done yet. It wasn’t until the final can’t miss physical, imposed on me again, that I saw all my desperate efforts had come to nothing. Then, a miracle was bestowed, at the  last station, leading to the bus to induction, my urine showed traces of protein, whatever that means. What it meant to me was a six month deferment. It was the boost I needed to escape their clutches for good; they were beginning to reconsider what kind of men they were looking for. I returned to the commune in VT and stayed 24 more years, till ‘95. During that  time, I returned to school, at UVM, studying Calculus and Computer Science, clocking a 3.89 GPA over three semesters, then dropping out again well prior to any sight of a degree. But that eventually became a programming job, working with a crew of my hippie friends, one of whom had a friend in unsuspecting IBM International. That was really good money for about ten years, the only I ever made, except for the next job, a one year stint spent commuting to Boston for three days at a span, working from home the rest. Laid off, I worked two hard winters outside, in a parking lot at the hospital, for minimum wage. By then I had moved to town and fathered another daughter. She’s about to graduate college and I still live there, where I’ve been seriously making Art since 2008, mostly non-stop and around the clock.

Rick Skogsberg (Ricksko), 2018

Press

"Exclusive Images: BlackBooks Faves From the 2019 Outsider Art Fair" - BlackBook
01/19/2019
"Gallery Profile: BigTown Gallery Vergennes" - Rachel Elizabeth Jones, Seven Days
05/03/2017
"Night and Day: The 96 Hour Spectrum of Miami Art Fairs!" - Lauren Over, Cartwheel Art
12/7/2016
"Satellite Art Show Brings ‘More Fun’ to Miami Art Week" - Sarah Cascone, artnet news
12/6/2016
"Satellite, Design Miami and Basel Miami Day Five Miami Art Week 2016" - Artlyst
12/6/2016
"Wearable Fine Art? A Rochester Artist Uses Footwear As His Canvas" - Steve Zind, VPR
11/23/2016